4me4you features – “integrating augmented reality”. ABOUT ME 4me4you recently had the pleasure of visiting Saatchi Yates Gallery which featured the artist Pascal Sender.- “integrating augmented reality”. MY PROCESS Swiss artist Pascal Sender unveils his second solo exhibition, presenting a bold new body of work that reflects on contemporary recreation in the digital age. Through dynamic, post-futurist paintings, Sender explores
4me4you features – “Louche”. ABOUT ME 4me4you recently had the pleasure of visiting Rhodes Contemporary Gallery which featured the artist Kevin Sabo. MY PROCESS Sabo’s art is instantly recognisable: bold, punchy, and unapologetically vibrant. His exaggerated figures riff on pop culture while playfully subverting traditional gender norms. With a blend of surreal satire and sharp social insight, his work occupies
4me4you features “Don’t follow to unfollow!”. ABOUT ME 4me4you presents the artwork of Valentino Constantinou, also known as “doctor_no_” – “Don’t follow to unfollow!”. MY PROCESS Introducing Valentino Constantinou, also known as “doctor_no_” — a theoretical nuclear physicist turned digital artist whose journey bridges the worlds of science and creativity. Originally from Cyprus, Valentino earned his PhD in Nuclear Physics
4me4you features “Le tonique”. ABOUT ME 4me4you features painter Caroline Gaudreault and her work, “Le Tonique.” MY PROCESS Caroline Gaudreault is a Canadian artist whose work blends narrative and figurative elements with an enchanting touch of magical realism. Raised in a creatively rich environment, her artistic journey began early and has since evolved into a lifelong passion. Gaudreault studied Visual
4me4you features “AI Hallucinations”. ABOUT ME 4me4you Features digital creator edith_masiva – “AI Hallucinations”. MY PROCESS Under the alias edith_masiva, the Berlin-based designer navigates the shifting boundary between artificial intelligence and human creativity. In an era where AI grows ever more precise, edith_masiva turns away from its polished capabilities and instead embraces its beautiful flaws. Her work centres on prompting