The work of Jan Manski is striking, even sensational. Manski realises his vision with a perversely visceral language which creates a coherent, highly stylised world with a menacing futuristic edge. It interrogates and parodies our consumerist culture.
Manski, through an imaginative act of enormous ingenuity, creates an entirely new world rather than relying on the old trope of ‘appropriation’. His world embodies a very particular philosophy of sexual excess and manifest guilt. His futurist pleasure product dramatises the relationship between our sexual appetites and narcissism, to create a microcosm which is unnervingly familiar but completely alien.
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