4me4you features “..a certain level of decorum..” ABOUT ME Venturing once again into the captivating realm of artistry, we present a compelling collection of works by Dmitry Mishin, an artist who began his creative journey on Instagram. MY PROCESS Mishin has rapidly garnered attention for his bold and thought-provoking pieces, which explore the intricate intersection of art and censorship in
4me4you features – ‘a sombre scene beneath the sky’. ABOUT ME Embarking on an enriching journey, 4me4you recently indulged in the vibrant artistry showcased at SAATCHI YATES Gallery, where they immersed themselves in the captivating works of artist Tesfaye Urgessa. MY PROCESS “I want my figures to have almost an emotional vulnerability… I want to keep them confident but at
4me4you features – ‘afrofuturism’. ABOUT ME 4me4you proudly presents the mesmerising artistry of Vlady Dupuy aka “Wuh.ey”, a French artist now based in Germany. MY PROCESS Wuh.ey masterfully blends traditional art techniques with modern technology, creating a unique fusion of folklore and artificial intelligence. Drawing inspiration from a myriad of sources—including music videos, movies, fashion, and mementos from travels—Wuh.ey’s work
4me4you Backstage with “LADECENTE, AFMN, Gorgiya, and Chiyue” During London Fashion Week AW24. gallery Designers: Ladecente, AFMN, Gorgiya and Chiyue. Previous Next 4me4you was thrilled to receive an invitation to London Fashion Week AW24 from idea PR. They provided 4me4you with exclusive backstage access to document the fashion shows of LADECENTE, AFMN, Gorgiya, and Chiyue. Designer: Ladecente LADECENTE has emerged
4me4you Features – ‘D #ai dreaming in a parallel universe’. ABOUT ME 4me4you introduces the captivating artistry of Clemens Maurer, a seasoned creative with a diverse background in art direction, graphic design, and illustration within Germany’s publishing realm. MY PROCESS Maurer’s journey is deeply rooted in a lifelong passion for art and photography, which serves as the cornerstone of his mesmerising portfolio.
