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Victor Stamp is a visual artist merging analog and digital realms. Remixing photographic history using vintage images, collage and visual poetry.
Victor Stamp’s works are sometimes made with a camera (generally an out-of-date cellphone, certainly nothing too fancy) but more often than not without: scanning is elevated to the rank of a fine art, along with other varieties of machine photography (microphotography and the photobooth); vintage vernacular photography is repurposed; cyanotypes.
Polaroids and glass and 35mm slides are intervened and diverted from the path of righteousness; and Photoshop is employed not just as a post-production tool for enhancing cheekbones and removing ideologically deviant Party members but as a medium in itself.
