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Moli’s “Icons” celebrates sporting icons such as Pelé, Muhammad Ali and Michael Jordan, but is also underpinned by a layered social and cultural commentary, including nods to his African roots.
Boogie first took a brush to trainers and started selling them to friends, but soon moved on to canvases, and inspired by his idols such as Jean-Michel Basquiat, Andy Warhol, George Condo and LA-based artist Retna, soon developed his own graffiti-style of work.
Moli Icons bears the influence of Pop Art (most evident in his détournement-heavy portraits of Andy Warhol and Marilyn Monroe), which is one of several artistic touchstones for Boogie. He also uses several interesting techniques, including wheat paste as an adhesive, the mix for which Boogie makes himself.
