4me4you Features - "Haus: Everything is a Short-Lived Experience".
ABOUT ME
4me4you recently had the pleasure of stepping into a uniquely immersive exhibition at Hope 93 Gallery, where artist Emily Gillbanks invites viewers into Haus: Everything is a Short-Lived Experience—a poignant and deeply personal exploration of memory, identity, and the evolving meaning of “home.”
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MY PROCESS
"The way I use paint sensitizes and desensitizes economies of detail; asking how we can paint from life today when screens have become representative and vernacular accounts of vision."
..Haus: Everything is a Short-Lived Experience..
At the heart of the exhibition is Haus, a suspended 3D construct reminiscent of a Puppenhaus (dollhouse), modelled after Gillbanks’ childhood home. Far more than a sculptural object, this installation transforms the viewer into a participant—a puppet within a meticulously recreated domestic stage. Built originally by her father, the house becomes both a tribute and a site of reflection, offering a rare glimpse into the artist’s working-class upbringing.
Gillbanks reimagines her painted canvases as scenes within a constructed theatre—a Bühne—where the rituals of daily life are staged and scrutinised under the ever-watchful lens of modern technology.
Through the use of Apple Vision Pro, each room portrayed in her paintings is also presented as a spatial film. This augmented layer allows audiences to navigate and physically engage with the recreated spaces, blending digital and tactile realms to evoke a heightened sense of presence.
Haus straddles the old and the new, the tangible and the virtual. It reflects Gillbanks’ ambition to explore an augmented reality that feels simultaneously nostalgic and futuristic.
Her work engages with spatial computing not just as a tool, but as a conceptual lens through which to reexamine New Figuration—where figurative art intersects with the psychological and the technological.
The exhibition delves into the contradictions embedded in the concept of “home”—the push and pull between private and public, light and dark, stability and transformation. These tensions are reminiscent of Heidegger’s idea of the “house of being,” in which the home acts as both sanctuary and stage, a place of grounding and of vulnerability.
For Gillbanks, the domestic sphere becomes a theatre of the self—a space where identity is constantly negotiated and performed, where fleeting moments crystallize into meaning before dissolving once again.
In Haus, Emily Gillbanks offers not just a look into her past, but an invitation to consider our own—how memory, space, and technology shape our sense of being in a world that’s always shifting.