In Time Alone, Han draws directly from her lived experience in contemporary Seoul. The emotional resonance of these works is not shaped by narrative, but by rhythm, repetition, and restraint. A subtle gesture—a hand resting on a table, a figure leaning ever so slightly—becomes the focal point of an entire composition. Her process is rooted in observation, not only of others but of herself. Through her painting, Han identifies the uncanny within the ordinary, the poetry within the pause.