Khanyisa’s process is rich with experimentation. With a background in both Traditional and Digital Animation, their practice merges fluid modernist forms with striking figuration and painterly realism. Their use of materials is meticulous yet intuitive: a 1990s Nokia phone, a coupe cocktail glass, an ostrich leather handbag, a vintage rotary phone—each object chosen not only for its visual appeal but for its ability to ground the work in a specific time and place.